convertere ad Dominum Deum tuum.

  • Part/Section 7
  • Segment 32
  • Bars 221-229

Observations

ID
Musical Type
Bars
Analyst
0013
Phrygian Cadence
Voice roles
Cantizans: S
Tenorizans: T
Bassizans: B
Pitch-goal:
A
Preceded by:
Free counterpoint
Followed by:
Cadential extension